Skip to Content, Navigation, or Footer.
Logo for The Western Front

Review of Bronco by Orville Peck

Orville Peck’s latest album, Bronco, is a collective of all the best parts of country music.

An illustration of the Bronco album cover art shows Orville Peck standing in front of a rearing horse, mimicking the original album cover. // Illustration by Milo Openshaw

Orville Peck, the king of the cowboy masquerade, is back with another incredible album. Bronco, released April 8, 2022, is one of the best albums released in the past year. Every time I play it, my friends roll their eyes. “It’s country music,” they say. 

“Ah, but it’s Orville Peck,” I reply.

To me, Orville Peck exists outside of the modern country music genre even though he’s a self-proclaimed country musician. When people think of country music, they think of white men singing about trucks and objectifying women. Peck returns to the roots of country in the best way. He sings about cross-country roadtrips, about keeping cowboy culture alive, about strong blonde men from Florida, and they all weave together in a simultaneous optimization of country and the upending of country.

Orville Peck’s vocal range is fantastic. Usually, his songs will start in a tenor’s range, and then every-so-often he’ll shoot two octaves up and make love to your ears. Combined with guitar and percussion like horses hooves, the whole album is a treat to listen to. (My personal favorite song is ‘C’mon baby cry,’ in which this vocal technique is used mid-verse and makes me drool every time I hear it.) 

Recently, there’s been a resurgence of the cowboy aesthetic, especially among the queer community. In my opinion, it can be attributed to Lil Nas X, specifically for his hit single ‘Old Town Road,’ and Orville Peck, both of whom are openly queer in a traditionally heterosexual music genre. ‘Bronco’ is an optimization of this trend. It’s a perfect combination of old and new love stories that were previously buried in cishet mainstream culture and definitely worth a listen.

Notable quotables:

“Blue child, repeat it in your head

Young man, fill yourself with dread

Come home, the Hexie Mountains said” 

(Song: Hexie Mountains)

“Headed for the back, I meet a girl who's tryna shoot the breeze

She tells me she don't like Elvis

I say, I want a little less conversation, please” 

(Song: Outta Time)


Milo Openshaw

Milo Openshaw (he/him) is the opinions and outreach editor. Again. 

You can reach him on Instagram @miloohno or email him at westernfront.opeditor@gmail.com if you're interested in submitting a creative piece to The Front.


Comments

Powered by SNworks Solutions by The State News
All Content © 2022 The Western Front